The following is an op-ed I published in last week’s Newsweek Japan, where I write once a month. My editor asked me to write about how the comfort women deal of last year is getting on, and I have to say that I am surprised just how little we even hear about it anymore. For an issue that the Korean media often treated as central to South Korean identity, it seems to have inexplicably dropped out of the newspapers (which, I strongly suspect, displays how much the Korean government ‘directs’ the media here.)
So the main argument I make advances the one I made a few months ago: that if the Korean left does not fight back against the deal, then the deal achieves a level of national consensus it did not have initially when it was clinched in secret by a conservative government. And now that the left has surprisingly taken the majority in the parliament, this is the first and most important acid test for the deal. If the left doesn’t use its newfound power to go after the deal, then they are tacitly approving it.
Of course, no one in Korea will proactively say that they support the deal, but not acting is a way acting too. If the left, which has done so much to create this issue, does not re-politicize it, then that basically mean a broad, however unspoken, left-right consensus has emerged to take the deal and let the issue slowly disappear. The activist groups and leftist intellectuals, many of whom seem to have built their careers around the comfort women, will never give up. But without political representation, they are just one more voice in South Korea’s cacophonous civil society.
I have to say that I am really surprised that events are running this way. Just about every Korean I know gets really indignant and emotional at the mention of this issue. Yet the political class has dropped like a hot potato. So all these years of sturm und drang are over, just like that? Really? Still not sure why this has happened – American pressure? it was all just an act? everyone is truly terrified of NK and wants Japanese solidarity?
The full essay follows the jump.